h2g2

My whole life used to be devoted to h2g2, the Douglas Adams-founded, now BBC-run, alternative Guide to Life, the Universe, and Everything. It predated Wikipedia, and is different in that it places a premium on authorial voice. Entries in the Edited Guide are subjected to a fairly rigorous peer-review process, and go through a couple additional rounds of editing. It’s as good a way as any to produce a high-quality, yet whimsical selection of encyclopedia articles written by amateurs on the Internet.

But h2g2’s Edited Guide is also surrounded by its rich community, which not only produces the UnderGuide (fiction, poetry, etc.—basically anything that wouldn’t be suited to the EG) and The Post (the community newsletter, which I edited for two years), but also fantasy football and cricket, philosophical and political discussions, and deep, rich, lifelong friendships. People who have met on h2g2 have gotten married or become best friends. Hootooers, as they’re known, meet up in real life frequently, especially in the UK, where a large number of the site’s users (known as “Researchers”) are located.

h2g2 got me through high school—I discovered it at the very beginning of 9th grade, and I quickly absorbed myself in the community. I made friends, I got stalked by one of those Internet creepers sensationalist cable news warns you about, I wrote half a dozen entries for the Edited Guide and sub-edited several dozen more, and for two years, as I said, I edited The Post. h2g2 taught me most of what I know about how to edit, how to manage an amateur publication, and how to talk to adults—I was one of the youngest people I knew on the site, and most of my hootoo friends were adults. I’ve always gotten along better with people older than me, but it’s easier when you’re just a username and aren’t inhibited by a small body that isn’t allowed in pubs.

I left h2g2 towards the end of senior year—I was burned out by putting The Post together every two weeks, and I was getting ready to start college. I thought of h2g2 as an aspect of my teenage life that I was putting behind me, particularly since I was starting to write for money and couldn’t make the time to do too many things. I barely thought about h2g2 at all through this busy school year, but in the past couple months a few incidences have come up to remind me, most of them related to my Anglophilic tendencies and my relative cultural literacy about UK stuff. Since a disproportionate number of h2g2’s Researchers are British, and since the site uses UK style, I’d learned to write in a British way and became familiar with the names of politicians, celebrities, TV programs (or programmes, as they would say), and all sorts of other things. I learned the basics of cricket and became familiar with the concept of the Eurovision song contest (which happened today, and that’s a whole nother post). Believe it or not, editing for UK style does teach you how to write as if you’ve been in British schools all your life pretty damn fast. To this day, I can go back and forth pretty easily. Thanks to h2g2.

I’ve been checking the site every couple days, the past week or two—not with the multiple-times-daily frequency I used to have, but certainly more than I have in the past year. And I’m thinking about writing entries for the EG again, because I thought about it this way: every entry is really just a mini-lecture. It’s an opportunity to present information in a way that’s easily accessible and interesting to a fairly wide audience, and you don’t even have to have any academic credentials to do it. I was writing for the EG when I was 14—I can certainly do a better job now, at 19, after a year of college and vast improvements in my writing skills. So. I’m turning over entry possibilities in my head, thinking about how I would approach them—how I would “teach” something like “Howl” or Hair or anything else I know about. It’s a very different style from the academic papers, creative non-fiction, or news analysis I usually write, but it’s worth doing.

But more than anything, it’s weird to think how one comes full-circle. In part, this is peculiar to h2g2—the folks on the site like to quote the Eagles, saying “you can check out anytime you like, but you can never leave,” and it’s true—very few folks I can think of who left the site in my time there really left for good. How can you just write out something that was such a huge part of your life? I know I can’t? But it makes me happy, and relieved, that this is just one of a number of things from the first half of my teenage years that I’m returning to. It means that all that time, all that energy, wasn’t pointless.

Suck it, NOM!

The National Organization for Marriage was one of the largest single donors to California’s Proposition 8, which banned same-sex marriage in November. Its offices are across the street from my university, at 20 Nassau St.—that’s here:

So some of us Princeton students had a protest today, to protest NOM and its close connections with Princeton: the president of NOM’s board is a Princeton politics professor, Robert George. We made masks with his face on them to make light of the fact that his connections are actually leading folks like Frank Rich to draw an implicit connection between Princeton and NOM:

We also made signs that mock NOM’s bigoted rhetoric:

And some that were just entertaining:

Here I am with a sign:

Basically, we had a dance party—with many renditions of “It’s Raining Men”!:

(Thanks to Rocky R. for the photos! We also received coverage in the Daily Princetonian.)

———————————–

As the ACLU might say, the solution to speech is more speech. NOM has the constitutional right to take up residence right across the street from where I live and tell me I shouldn’t have the right to marry whomever I want. I mean that seriously—I don’t for an instant want to silence their speech. But that doesn’t mean the rest of Princeton can let their hateful beliefs pass unremarked, so we went out to Nassau Street on a nice day dressed in funny costumes and masks and had a dance party with sarcastic signs. We had fun, and we spoke out for something we believe in deeply.

God I love this country.

Studying Ginsberg

If you know me at all, you’ll know how much I love Allen Ginsberg’s poetry. As I wrote in an essay once, the day I read “Howl” I was head over heels in love with the language of a man who captures the simultaneous exuberance and insecurity and exultation and insanity of youthfulness. The man who foreshadowed the counterculture through his poems of the mid-’50s and who did so with such beautiful words.

I’m discovering Ginsberg again this year, because I’m picking up a little queer theory as I go along, and I’ve started rereading a lot of the poems and seeing stuff I never saw. Taking my Gender and Sexuality in Modern America class, and reading all of Chauncey’s Gay New York, has given me a much wider understanding, too, of the world Ginsberg was living in—it’s relatable, for sure, but you can’t just assume that his experience would have been like someone in today’s minority sexuality communities. It was a difficult time to be gay, and yet the communities were there, and they were supportive—and all this comes through in the poetry, as he both praises his many loves from Neal Cassady to the boy he sees walking by on a street in Paterson, and wrestles with his inner turmoil, feeling as if he should get married (to a woman) and have children.

And so I’m sitting here, it’s 2am, I’m rereading the poems he wrote in San Francisco in the mid-’50s, the ones around the time of “Howl”—the best period of his output, in my opinion. And I’m filling in the gaps, looking up Whitman allusions, just now tracking down a Catullus allusion, looking at the Latin, trying to see connections. And I’m wondering why, exactly, I’m doing this; why I made a pilgrimage to Paterson last month, why I keep chasing Allen Ginsberg. First of all, he’s just a dead writer. Just like any other dead writer. How many dead writers have I ever read, who weren’t the least bit special? And second of all, I’m going to study history, not literature. I agonized through an essay on Milton today, hating every sentence I spit out about the literary techniques Milton uses, and trying desperately to relate it all to British history where at least I’m on solid ground. I don’t want to close-read Ginsberg. I just want to understand him. I want to pick up on all the allusions (and the liberal arts education is helping; I totally bet Ginsberg wrote an essay on Milton too, when he was a Columbia English major) and more than that I want to understand what Ginsberg was feeling. I want to know why he was writing the things he was writing, and that does fall into the remit of history—understanding the culture he lived in is absolutely necessary, because writing reacts to the times and the circumstances of the writer’s life. Doesn’t it?

So can one study literature as history? Should one? Is that what I’m doing, as I wade through the poems? I’m not sure. Probably someone could tell me; probably someone has written a dissertation on this stuff, and the answers to all my questions are in some library’s off-campus warehouse. (I discharge dissertations every day to be sent off to Princeton’s warehouse at my library job.) But after writing two essays about Ginsberg this school year, after growing my collection of Ginsberg books, after reading Whitman and Blake and Kerouac and now, apparently, Catullus in order to understand Ginsberg, I’m starting to wonder. Someone once told me that in order to make it as an academic, I need to find a set of texts that I’m so passionate about I could spend the rest of my life with. Is this it? Is this my set of texts? Is it more than some adolescent flirtation, some phase that every teenager passes through when the counterculture seems swoon-worthy? And if it really is something that I could study and study and never tire of (and if it hasn’t been written on overmuch, which I’m sure it has), how do I do this? Is there a place for studying literature as history? Is there a place for me in the world of history, a place where I can do this without literary theory?

In truth, it’s certainly a little early to say—I’m a college freshman, FFS. I think I just kind of want to be reassured that I’m not wasting my time, that there is some redeeming value to reading so much Ginsberg, and to taking his writing so seriously. People tend to dismiss Ginsberg as tacky, as not a very good poet. I want to know that I’m not wasting my time and my cultural pretensions to be so passionate about a man who so perfectly reflected his time and his culture—and singlehandedly altered them as well.

QOTD (2009-05-07)

From an interview Allen Ginsberg gave in 1965, as quoted in Queer Beats: How the Beats Turned America On to Sex, ed. Regina Marler:

… the only way you can be saved is to sing. In other words, the only way to drag up, from the depths of this depression, to drag up your soul to its proper bliss, and understanding, is to give yourself, completely, to your heart’s desire. The image will be determined by the heart’s compass, by the compass of whatever the heart moves toward and desires. And then you get on your knees or on your lap or on your head and you sing and chant prayers and mantras, till you reach a state of ecstasy and understanding, and the bliss overflows out of your body.

Well, I certainly can’t say anything to add to that.

I give you Joe the Plumber, asserting his knowledge of LGBT terminology:

Yeah, I know, Joe the Plumber is so passé, and we shouldn’t be giving him the time of day, but I can’t resist reprinting this quote from his interview with evangelical Christianity Today (h/t Alex Koppelman):

At a state level, [same-sex marriage is] up to them. I don’t want it to be a federal thing. I personally still think it’s wrong. People don’t understand the dictionary — it’s called queer. Queer means strange and unusual. It’s not like a slur, like you would call a white person a honky or something like that. You know, God is pretty explicit in what we’re supposed to do — what man and woman are for. Now, at the same time, we’re supposed to love everybody and accept people, and preach against the sins. I’ve had some friends that are actually homosexual. And, I mean, they know where I stand, and they know that I wouldn’t have them anywhere near my children. But at the same time, they’re people, and they’re going to do their thing.

Mr. the Plumber, I think it’s you who doesn’t understand the dictionary. I give you the OED:

Although originally chiefly derogatory (and still widely considered offensive, esp. when used by heterosexual people), from the late 1980s it began to be used as a neutral or positive term (originally of self-reference, by some homosexuals; cf. QUEER NATION n.) in place of gay or homosexual, without regard to, or in implicit denial of, its negative connotations. In some academic contexts it is the preferred adjective in the study of issues relating to homosexuality (cf. queer theory n. at Special uses 2); it is also sometimes used of sexual lifestyles that do not conform to conventional heterosexual behaviour, such as bisexuality or transgenderism. [emphasis mine]

I know it’s somewhat pointless of me to point out that Joe the Plumber is stupid. We all knew that. But the thing is that he’s getting those opinions from somewhere, and folks like Christianity Today are giving him the time of day. If there are crazy people saying crazy homophobic things out there, we can write them off as loonies, but we still have to be louder.

Happy Birthday, Pete!

It’s Pete Seeger’s 90th birthday today, and he and I go way back. I don’t mean that literally, of course; I have never been so fortunate as to meet the legend of American folk music, or to see him in concert. But my mother raised me on his music, and I’ve grown up with his banjo and his distinctive tenor always in my ears. When I was a crying infant, my mother would sing the IWW anthem “Solidarity Forever” to calm me down. It’s a song Seeger and The Weavers introduced to a popular audience in the 1940s. Recording “Solidarity Forever,” and “Talking Union,” and “Union Maid,” “Bells of Rhymney,” “Which Side Are You On?” got Pete dragged before HUAC in the ’50s; he famously pled not the Fifth Amendment (“I refuse to answer on the grounds that it may incriminate me”), but the First. He didn’t apologize for or deny his leftist allegiances; he simply said that he had the right to freedom of speech and freedom of association.

All my life, even when I was a preschool kid listening to an old album of Pete doing kid-friendly songs that was always in the tape deck of my mom’s old white Honda station wagon, Pete has always represented what it means to me to be an American. I’ve never flown an American flag or supported a war (though I certainly support the troops); I do not recite the Pledge of Allegiance or sing the national anthem. But I am still an intensely patriotic person, and that’s because I revere Pete Seeger’s interpretation of what it means to be a patriotic American: in America, you can invoke your right to freedom of expression. In America, you can write and perform music that points out what is wonderful and what is deplorable about your country. Pete’s songs can often be tragically condemning of choices this country has made—his Vietnam-related songs “Waist-Deep in the Big Muddy” and “Bring ‘Em Home” are sadly relevant to the conflicts the Bush administration dragged the country into; all the organizing songs he sang with the Weavers and the earlier Almanac Singers (a band that included Woody Guthrie) showcase the ideological struggles that have characterized 20th-century America. Pete is the epitome of that bumper-sticker slogan, “Dissent is patriotic.” He’s always been a voice of peaceful protest and represented everything I love about my country. Pete reminds me that it’s okay to be so angry about some terrible things America has done in its citizens’ names and still be proud to live here and be a citizen. Some folks are trying to nominate him for a Nobel Prize, and I couldn’t agree more. If any living American deserves to be recognized for what he’s done to promote peace and justice the whole world over, it’s Pete Seeger.

If there’s anything that anyone has ever done to make me proud to be an American, it’s Pete Seeger singing “This Land is Your Land,” a song Woody Guthrie wrote during the Great Depression that I believe should be this country’s national anthem. I remember back in eighth grade, the year the US invaded Iraq, when tensions over loyalty and patriotism were running high. I got into an argument with some folks in my class about whether “This Land is Your Land” is a patriotic song, since it’s got verses like this:

As I went walking, I saw a sign there
On the sign it said “No Trespassing”
But on the other side it didn’t say nothing
That side was made for you and me!

In the squares of the city, in the shadow of the steeple
By the relief office, I’ve seen my people
As they stood there hungry, I stood there asking
Is this land made for you and me?

Those are the verses they didn’t teach you in school, when you had to sing a patriotic song every day in fifth grade. Those are the verses nobody knows, but I did my level best to teach, the verses that reveal, as Pete tends to do, what is wonderful about America and what needs to be criticized. They’re sentiments that reminded me that my house, with Pete or someone like him always in the tape deck (and later the CD player, and later the iPod), was so much at odds with everything else in the world around me—my middle school and high school years were the Bush administration.

The day before Barack Obama was inaugurated in January, representing so much hope that things would change in the political and social atmosphere, there was a concert on the steps of the Lincoln Memorial, a site evocative of so many marches and concerts in the name of freedom and dissent. Pete Seeger played at this concert, aided, because he was 89 at the time, by Bruce Springsteen, and backed by a diverse choir of young Washingtonians. They did “This Land is Your Land,” and I sat on the couch in my dorm room watching the live webcast in a tiny window on my laptop. One of my greatest heroes, a man who was blacklisted during the McCarthy era, who had stones thrown at his car during the 1949 Peekskill Riots, who has been demonized more times than anyone can remember… he played in honor of a president. And he sang all the verses to “This Land is Your Land,” verses which are not even on some of the recordings he made of the song. I remember sitting there, wondering which verses they would sing, and when I heard the first words of the “forbidden” verses, I broke down sobbing. I know that for all sorts of reasons it’s silly to say, “For the first time in my life, I felt proud of my country,” and I know that’s also not really true. There have been other times when I’ve felt patriotic, or proud to be an American. But to watch, even by bad-quality web video, Pete Seeger stand on the steps of the Lincoln Memorial and sing all the verses of “This Land is Your Land”? I broke down sobbing. Pete represents everything that empty gestures of flag-waving, warhawky, Bush-style patriotism are not, and everything I love about this place. I started sobbing when I watched that video, because Pete is my hero. I think he believes in those American exceptionalist values that this place stands for, and the fact that he is still around, still playing, and still believing gives me strength and hope that things are going to turn out okay.

Tonight, Pete (with some help) is playing Madison Square Garden in honor of his 90th birthday. I hope they sing “This Land is Your Land.” I wasn’t able to get to this one, but I hope that I have another opportunity to see him in concert. Regardless, though, I know I’ll be teaching my children about one of this country’s greatest citizens. Happy birthday, Pete. You’re my hero.

QOTD (2009-05-02)

From George Chauncey, Gay New York:

While some men regretted the supposed aberration in their character that queer denoted, others regarded their difference positively and took pleasure in being different from the norm. (As one associate of the writer Carl Van Vechten quipped, “Who wanted to be ‘normal’ and boring?”)

Well indeed.

May Day

At the risk of flogging the so-dead-it’s-rotting horse that is Bitching About Princeton, today was the first night of Houseparties, a three-day affair of dinners and bands and general festivity occurring at Princeton’s eating clubs at the end of the year. Tonight is formals night, and when I left my room to make a trip to CVS shortly before dinnertime, I saw dozens of folks getting ready for formals: guys in tuxedos carrying bouquets, going to pick up their dates; gaggles of girls in beautiful and expensive-looking dresses standing under Blair Arch (out of the rain) taking group pictures. It’s not a particularly unusual idea, having a series of parties at the end of spring semester. What is Princetonian about these parties is that they are eating clubs-centric, and you have to be a member of a club to attend its Houseparties, and if you’re the guest of a member you have to pay a fairly hefty price to attend. It’s all a bit silly, and I nursed my moral righteousness over dinner in the dining hall in shorts and a t-shirt.

But what particularly underscored the extravagance of Houseparties is that today is May 1, May Day. Of course, the US changed its workers’ holiday to the first Monday in September back in the ’50s, to avoid any communist associations, and of course, that holiday doesn’t really celebrate the workers anyway; it’s more about barbecues at the tail end of summer. But today is May Day in Europe and Central and South America and really most places aside from the United States (and Canada, which has Labour Day at the same time as the States does). Earlier, seizing a moment of solitude in my room, I played Billy Bragg’s version of “The Internationale” and sang along to myself. But I wish there were a better way here to celebrate the world’s most anti-capitalist holiday than by allowing Houseparties to indulge wealth and capitalism in all its glory. I know that’s too much to expect from basically any institution in this country that isn’t the American Socialist Party, and I also know there are far more important things to worry about. But as I hear formally-dressed girls’ heels click on the pavement outside, I’m a little sad still for what we could be celebrating.

The “Kink” in “KinkForAll”

Regular readers of this blog, if there are any, might recall that I wrote before about KinkForAll, an open-source, “unconference” model dedicated to fostering dialogue between members of the kinky, queer, and sex-positive communities. The first iteration of KinkForAll was held in New York City in March, and the next is going to happen in Washington, DC this summer. The folks putting that together haven’t announced a date yet, but since I’m going to be in DC for the summer, I’ve signed up to attend (as should you, if you’re interested in this sort of thing).

Anyway, the process of deciding to attend and eventually attending the New York KFA caused me to do a lot of thinking about the philosophy behind this whole “unconference” thing, and a “kink” conference in particular. What is the role of the “conference” model? How do you make something like that, which seems so intrinsically academic, accessible to a wider community that hasn’t had an academic background? How do you bring together a lot of disparate communities who have little in common but a penchant for talking about sexuality and get them to have a conversation? What form should that conversation take? There’s a lot of politics to be dealt with here, particularly when considering the role of the BDSM community in all this: a lot of the folks who attended KFANYC came from within New York’s BDSM community, but that’s a largely underground space, without the level of public visibility, public comfort, and publicly-constructed community identity that, say, the LGBT community has. It’s tricky. Very tricky.

Part of what’s tricky is the name “KinkForAll” itself, and actually in listening to one of KFA’s primary unorganizers and evangelists, maymay, talk about this, I’ve been able to develop my understanding of what that word is doing there. When I initially heard that the name had been chosen to include the word “kink,” I was dubious, because to me “kink” was synonymous with “BDSM,” and I had to wonder how this conference model was going to include and address other sexuality communities, and how it would be different from your average BDSM workshop. (I also had to wonder where I, whose realm is primarily queer identity and politics, would fit in.) Well. Folks who have been to a KinkForAll (and hopefully that number will start to grow pretty rapidly!) will know that it is quite different indeed.

Maymay says all this better than I do, so I recommend you read his blog; I won’t even try. I’ll just point you to something he said in a recent podcast where he spoke about KFA (which is what prompted me to write this post): “The BDSM community is so focused on these, like, extreme sports-style skill sets that we forget, often, that’s not necessarily the most important thing… especially for people who need to know more about the world in which we live in [in order] to come out to our world.”

That’s exactly right. Much as there was a time when the gay community was criticized for being overly focused simply on sexual practice, and not on larger, more abstract or theoretical questions about identity and community, so too (from what I’ve heard; I can’t speak as an insider) does the BDSM community seem to struggle with this problem. KinkForAll is addressing that, and here I think the word “kink” is actually key: I’ve come to see this word as encompassing any non-mainstream sexuality, maybe a further broadening or development or evolution of “queer.” I think we can use it that way; it’s not as if it’s a word that actually connotes a specific sexual desire or practice in the way that the B, D, S, and M of that acronym do. From a sociological perspective, I have to say that KFA is a perfect opportunity to watch this community evolve and shape itself, and the questions that KFA has posed to me make me constantly reconsider how minority sexuality communities continue to place themselves in relation to the majority. As the LGBT community becomes increasingly mainstream and increasingly integrated into a “straight” (for lack of a better word) paradigm, what takes its place as the radical outlier? Maybe “kink” is the new “queer”; one of the concepts I saw threading through KFANYC was that what almost seemed more important than any specific sexual preferences was a radical ethos, a prevailing notion of being outside the mainstream, of DIY, of grassroots. I don’t think it’s erroneous to draw parallels to gay liberation, when a minority sexuality community decided it was going to establish its own boundaries (or lack thereof), and not allow the law or the medical profession or anyone else to do that for them.

I think I may have lost the point of this rant, except to say that, well, all this is critically important. In my classes and my own reading, everything is about progress, and acceptance, and mainstreaming; today in my lectures in the last week of class, sociological data on the younger generation’s increasing acceptance of homosexuality went along with my history professor’s discussion of progress on the same-sex marriage front. And that’s all well and good, but I think it’s still wise to address the sexuality counterculture, whatever that may be at time of writing. They lend an uncertainty to the whole model, the possibility that maybe relationship paradigms and societal standards will continue to shift and change and blow our minds. That’s why I’ve signed up to attend my second KinkForAll, anyway.

What I Have Done Today, and Why I Love College

1. Woke up.
2. Futzed around on the Internet.
3. Showered, dressed, went to lunch; read a chapter of George Chauncey’s Gay New York.
4. Went to Small World and bought an iced coffee; checked out the Labyrinth sale tables.
5. Futzed around on the Internet.
6. Finally got off my ass and trekked (OMG, SO FAR) to the library, where there is air conditioning (I should point out that it’s almost 90 degrees out).
7. Ensconced myself on a third-floor windowsill, looking south.
8. Read two pages about post-9/11 immigration policy.
9. Futzed around on the Internet/wrote this blog post.

Yeah, I’m not the world’s most productive student. There’s a lot of Internet-futzing involved. But what could be more wonderful than sitting in the window on a beautiful day in a Disneyland of grass and trees and old buildings, reading? Sometimes I feel like a dork because I don’t do more traditional undergraduate things, like partying and having a social life. But, well, an environment that does accord me the opportunity to lead a nerdy life? That’s paradise too. I have my doubts about Princeton all the time, especially when I read the latest news about NOM or can’t work in my room on Saturday night because of the noise. But I’m dreading the end of the semester all the same, because it means leaving collegiate paradise, leaving my safe, tiny town; Sundays of Rocky dining hall, Nassau St. and Firestone. An Ivy League education is insular and isolating and it means you have to try very hard not to be put out of touch with reality. But I love it all the same, in part for reasons I can’t even describe. Days like this make me want to stay in the ivory tower forever.

Ginsberg: who passed through universities with radiant cool eyes, hallucinating Arkansas and Blake-light tragedy among the scholars of war… Relevant maybe?